Four simple words

Four simple words. Sit, Take, Eat, Pay. Wouldn’t it be great if so many routine tasks could be reduced to a simple few words.

IMG_6965And that set me thinking: what about the process of taking images? How about a simple mnemonic (what a daft spelling that is) to remind us of what we tend to forget.

This is what I came up with: See, Check, Take, Check. It’s so easy to get caught up in the dynamic, the excitement, the sheer joy of finding something we want to photograph, and before we know it we’ve fired off the first shot or two. And then we pause, and think: I have no idea what the settings are on my camera? What is the ISO set at? And you then remember that the last image you shot was the previous evening in dull light, and you wound up the ISO to 1000, and now you check the camera and you find the ISO is still set at 1000 – you failed to re-set that dial. Sounds familiar? We’ve all made stupid mistakes like that, haven’t we. I confess: a failure to check settings is my Achilles heel. I still make that stupid mistake.

So here’s how the mnemonic works:

See: We see something worth photographing

Check: Pause. Think about your settings. Look at your camera’s current settings and decide what, if any, you need to change to capture the image to best advantage

Take: Take the image

Check: Firstly check the Histogram, and re-shoot if necessary. Then think about your settings. Have you amended them for that most recent image? Re-set any that you have changed for a one-off image, back to what was your default so that your camera will be, more likely than not, ready for your next image.

Check before and Check after. This is the double-check. You may well forget one of these checks, but if your standard practice is to check before and after; then forgetting one of those two check-points is less likely to be catastrophic.

For a more detailed article about settings, check out an article, (click here), that I posted on my other blog – iSighting – earlier this year.

Posted in Photo Tips | Tagged , , | 13 Comments

Transplant Surgery

That’s an attention grabbing headline! But to reassure you: this Post is not about a surgical operation, no blood has been spilled in the taking of today’s image nor in the making of the final result. It’s about a radical cut and paste of one part of an image to improve a composition. It was a prolonged procedure. There were one or two false starts. But after an hour or more, the image was stitched up so that hopefully there are no residual scars. The issue is this: was it worth it? You can be the judge of that.

Last weekend we had a family get together that included a walk on Box Hill on the North Downs, south of London near Dorking. I think I might just have found a replacement for Ivinghoe Beacon that has featured a number of times on this blog (see here for example). I have to stand on a hill from time to time. It keeps me sane.

IMG_6998_wp

Unedited RAW original

The first potential image I saw as we walked to the edge of the escarpment and looked south over a vast undulating area of Surrey was a father and son sitting on the edge of the hill. I had been given strict instructions by she who must be obeyed not to travel weighed down with cameras, so I just had the G10 with me. A quick snap and then I hurried to catch up. The unedited RAW file image is alongside.

I processed the image and straightened the edge of the hill. See below.

IMG_6998_Orig

1st processed image. Edge of hill straightened

It’s an OK image, but the more I looked at it the more I was aware of a flaw in the composition. Father and son are importantly placed on an intersection of thirds, but the man is looking left – out of the image. To my mind that just doesn’t work.

I decided I would get him looking right. I made a copy of the image and saved it and then flipped it horizontally so the figures were on the right with the man now looking right.

IMG_6998_Flip

Image copied and saved. Flipped horizontally

And I simply cloned his head across. Not difficult – I got it right first time, to my surprise. I also cropped some of the foreground out. The man was now looking across the frame. That was better. But…

IMG_6998_TurnCrop

Man’s head replaced by cloning from Flipped image

I still wasn’t entirely happy with the composition. The man was looking in the right direction, but he was now looking away from his son. It felt as if they were disconnected. I had a think.

It was time to try rather more radical surgery. And this is where it became clear that the crucial final ‘transplant’ was only feasible as a consequence of the original straightening of the hill’s line.

I went back to the flipped copy of the image and cloned the entire pair of figures plus rug and a section of field overwriting the original figures. The figures now looked connected – the father now looking towards and past his son across the image.

IMG_6998_Final

Man and Boy cloned from Flipped image, overwriting originals

My wife approved but pointed out that the ‘magic carpet’ on which they were sitting now looked as if it was about to slide leftwards out of the picture. So, a few final corrections were made. Transform/warp to straighten up the magic carpet, the removal of a duplicate set of cows, and I also had removed the bright highlights associated with the pylon buried in a hedgeline (which is otherwise unobtrusive). And here, below, we have the final image.

IMG_6998_FinalWarp

Final image tidied up

Compositionally I think the image is now stronger. The taller figure looks better on the left of the pair and his gaze is directed across the screen, and importantly involves him looking towards his son.

Attempting something as radical as this is always a learning experience from which we come away with enhanced skills. Stretching oneself beyond one’s normal comfort zone is always worth the effort. Was the result worth the time spent? What do you think?

I’ve put the sequence of images in a gallery for you to scroll through more easily.

Posted in Photo Tips | Tagged , , , , , | 15 Comments

Shapes and Colours

Sometimes processed images sit on my desktop for some time while I think about them and wait for my conflicting feelings about them to reach a consensus. Today’s image is a case in point. It was taken a year ago with a longish lens. I can’t remember exactly how I processed it, but the aim was to maximize the impact of the almost abstract array of colourful leaf-like shapes that comprise the image.

_DS77694Almost every leaf is misshapen, or at an odd angle and many of them seem suspended in space. I still find it a difficult image to describe. The distorted shapes remind me a little of how some painters were very ‘loose’ in their painting of detail.  What I do know is that I simply like it. Do you?

Posted in Autumn | Tagged , , , , | 21 Comments

Through the Glass Ceiling

A few weeks ago at Compton Verney in Warwickshire, where I went to see a superb installation of sculptures by Henry Moore and Auguste Rodin, I happened to glance up in the building’s main foyer and saw the footprints of someone on the ceiling. Well, they weren’t actually on the ceiling, they were walking on the glass floor of the next level up, but from my point of view they appeared to be on the ceiling, if you understand me. And it was really rather surreal – you don’t often see seemingly disembodied feet walking across the ceiling._DS81054_cleancrop

Fast forward to two days ago and I was in Apple’s flagship store in Covent Garden, London (and very impressive that store is) when I glanced up and noticed another glass ceiling upon which several pairs of disembodied feet walked and stood still. I hadn’t seen feet like these in many years, if ever, and then along they come twice within a month. Strange.

_DS82097Situations like this need capturing. One has to do it with a total disregard for any one else who happens to be standing near by, and who may have paused mid-step to wonder: ‘what the heck is that man photographing?’ Or worse. And every second that I was staring ceiling-wards, camera in hand, I expected the firm hand of security to tap me on the shoulder and escort me out of the building. But it didn’t happen. I stared, and I shot, and I left the building without a second glance. It can be difficult to shoot in situations like this: no-one likes being thought stupid, or risking invading someone’s privacy, or falling foul of regulations, or being marched off by security. But sometimes we just have to be bold and accept the risk: nothing ventured, nothing gained.

The first image in this post is from Compton Verney – the colours are warm and soft. In contrast, those taken in London were more industrial. Cold, contrasty, lacking colour – The type of image that I thought would look good in B&W. But I have mixed feelings about the conversions.

_DS82097_BWThe only one that I think works in B&W is the last one in the gallery below – bizarrely it’s the one that happens to have the most overall original colour, or perhaps I should call that tint. Removing the colour in my opinion does create a more powerful image in that instance. But in the case of the other two, my feeling is that by removing the colour, the image loses an added dimension. Colour is important to their impact. What do you think?

This is a point that I am sure we won’t all agree on, but I would love to hear your opinion, so do please comment. All three of the London shots are shown below – in colour and then in B&W for comparison.

One last point: a very warm welcome to a considerable number of new subscribers/readers of this blog who have discovered me as a result of my recent post ‘Hello’ being featured by WordPress in ‘Around the World in Nine Photos’. I hope you will enjoy what you see and read here, and do please click the ‘Like’ button, or better still join in the conversation by making a comment.

Posted in Eclectica | Tagged , , | 28 Comments

St Paul’s

_DS81948Although it is always refreshing to find something new to say about a classic building (click here to view a recent unusual image of St Paul’s), the classic images still remain irresistible, particularly when the light decides tp play ball.

People were queuing up to shoot this iconic view. Once I was in position I wasn’t in a hurry to leave and the light came good. Two men strode into view just at the right moment too.

Posted in Architecture & Buildings | Tagged , , , , | 9 Comments

Standing where Wordsworth stood

Allan Bank in Grasmere in the English Lake District is a house where William Wordsworth the poet once lived for a couple of years. Early in the twentieth century it was owned by one of the founders of the National Trust and subsequently bequeathed to the Trust.

In 2011 the house was damaged by fire and a restoration of it is planned. Meanwhile it exists as a largely empty shell (with a roof) with a magnificent view over Grasmere from its isolated position on the edge of the village.

Currently it is a place to drop in on. Sit in a room unfurnished save for table and chairs, sip a coffee, nibble a cake, and let your mind wander back over the years and imagine history. No-one will hurry you away, simply linger and adsorb the building.

_DS77606We visited exactly a year ago, when Autumn was in full show, and through the large bay window we could almost touch the forest. Buildings like this are a rarity – if you are up this way, put Allan Bank on your visiting list.

Posted in Architecture & Buildings | Tagged , , , , , | 16 Comments

Single Leaf

_DS82031The beauty of Autumn, or Fall, is visible wherever we look right now in the Northern Hemisphere. In the swathes of woodland and forest, and the leaf litter carpeting the ground But it’s when we narrow our focus and view just a single leaf that we can be most aware of the beauty of this season and the ultimately futile battle that each individual leaf fights in its determination to cling to life.

Posted in Autumn | Tagged , , , | 20 Comments