Replacing the windows

img_9403Almost a perfect fit. Walking down towards Tate Britain earlier this week I passed this building. Nothing very remarkable about the building – large floor to ceiling windows in a facade that was clad with wood. A little austere and subdued. it caught my eye because of the reflections of the property opposite. I slowly moved along and found a position where the windows of the facing property aligned within the window frames of the property I was viewing. And what’s more, the lighting – dull and overcast – together with the reflected pastel colours, seemed a perfect match.

On any other day, this image probably wouldn’t have worked. Just occasionally the conditions are right. Dull light can be the right type of light.

About LensScaper

Hi - I'm a UK-based photographer who started out 45+ years ago as a lover of landscapes, inspired by my love of outdoor pursuits: skiing, walking and climbing. Now retired, I seldom leave home without a camera and I find images in unexpected places and from different genres. I work on the premise that Photography is Art and that creativity is dependent on the cultivation of 'A Seeing Eye'.
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12 Responses to Replacing the windows

  1. Keep looking at windows, Andy! This is another great one for your collections.

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  2. shoreacres says:

    Some people like birds, some people like flowers. There are people who like old trucks, trees, and trails. But I don’t believe I know anyone else who’s quite as much a window aficionado as you — and this is a nice one for the collection. The crooked little reflections at the bottom made me smile.

    Liked by 1 person

    • LensScaper says:

      As I proclaim from time to time: I’m a butterfly photographer flitting between genres. But the concept of Documentary Pictorialism – a term I think applies to this type of image – really has great appeal.

      Liked by 1 person

      • shoreacres says:

        There’s another phrase I’ve never heard: documentary pictorialism. It’s interesting how each art develops its own vocabulary to help describe what’s going on within its “confines.”

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  3. Dina says:

    Dull light is great. Love it and the way you handled it and how the windows are mirrored.

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  4. bluebrightly says:

    We get a lot of that light here, and this is a perfect example of how good it can be – just beautiful.

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    • LensScaper says:

      Thanks Lynn. It’s also an example of how light doesn’t have to be bright to be beautiful. Subtle works fine.

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      • bluebrightly says:

        Yes, and sorry I haven’t been here in so long…so I finally followed you, too. I’m getting a bit more organized these days!

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        • LensScaper says:

          Thanks for the ‘Follow’, Lynn. Life’s been a bit mad recently and I spent very little time following other photographers work on the Net. Trying to get back to a more normal existence now – it’s hard keeping all the balls in the air isn’t it?!

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  5. jean pierre (pete) guaron says:

    I love it, LS – dull light, harsh light, whatever – they are all a challenge – and reflections offer a wonderful opportunity to do something creative. A common enough test is “will this stay in the viewer’s memory” – I think your photo passes the test with flying colours!

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